L-R: Oprah Winfrey, Professor Harry J. Elam, Jessia Hoffman (singing), Makulumy Alexander-Hills (keys).

L-R: Oprah Winfrey, Professor Harry J. Elam, Jessia Hoffman (singing), Makulumy Alexander-Hills (keys).

Keynote Speaker.

Singer.

Actor.

Improviser.

Tap Dancer.

Voiceover Artist.

Musical Theater & Improv

  • Sunday in the Park with George

    L-R: George Seurat (Weston Gaylord) with his muse, Dot (Jessia Hoffman) in “Sunday in the Park with George” at Stanford University. Fall 2014.

    Photo credit: Frank Chen.

  • Hairspray

    CENTER: Tracy Turnblad (Jessia Hoffman) dancing on the Corny Collins show. Performed to sold-out audiences in Memorial Auditorium (1,700+ seats) at Stanford University. Spring 2015.

    Photo credit: Frank Chen

  • The Bridges of Madison County

    L-R: Family members Carolyn (Jessia Hoffman), Bud (Timothy Gulan), and Michael (Matt Herrero), and mother Francesca (Joan Hess) recall the journey from Italy to Iowa in "The Bridges of Madison County" presented by TheatreWorks Silicon Valley at the Mountain View Center for the Performing Arts, April 4-29, 2018.

    Photo credit: Kevin Berne

  • Polite Society Players

    ABOVE: Jessia Hoffman improvises a pop song & dance moves at PianoFight in San Francisco. The players make up full-length musicals, on the spot. Summer 2019.

    Gif credit: Austin Meyer

  • Into the Woods: Stanford Style

    Into the Woods Contest. Created during finals week, Winter 2014. Won second place in competition judged by Stephen Sondheim himself!

    Video by Carter Burr-Kirven.

  • Fantasy Musical - Fully Improvised

    45-minute musical with BATS Improv in March 2019.

    Video credit: BATS staff.

“Hoffman’s voice rivaled even that of Bernadette Peters, well known for her iconic portrayal of Dot in the original 1983 production. Hoffman is an impressive, versatile actress, who effortlessly made the transition from the jocular, vigorous Dot, to a geriatric Marie, the daughter of Dot, who reflects on George Seurat, her purported father, nearly a century after his death.”

Stanford Daily